This is an on point analysis of the bias and other colonialist practices of mainstream Western media that are so badly impacting how we understand and address conflicts and crises.
Updates
CSFilm included in TV program by Transcultural Exchange
Transcultural Exchange released EPISODE 5, Caught in the Crosshairs, of their new TV series. It includes a segment on Community Supported Film (20:22).
Thank you! We made our $20,000 goal – and then some
“I thought a lot about you and what you taught us while making this video.
CSFilm’s work is truly making a difference!”
ON THE MEDIA | #LookListenLocal: ‘I’m not just covering the news – I’m living it’: Gaza’s citizen journalists chronicling life in war
The goal, she says, was to teach her followers that there was more to Gaza than conflict and destruction.
Sources for local perspectives on international news
CSFilm encourages you to think critically about who decides on and creates your news and information. Here are a few of suggestions for local reporting on issues of international concern:
McMillan Stewart Foundation supports CSFilm online training
Community Supported Film (CSFilm) wrote a new proposal to seek support for the development of our online documentary training (ODT). We are pleased to announce that the McMillan Stewart Foundation generously granted $20,000 for this two-year project. ODT will train community activists, journalists, and other grassroots storytellers in documentary filmmaking – from story development through post-production.
Vision and Mission
Community Supported Film (CSFilm) amplifies local voices in under- and mis-represented communities so that they can effectively communicate their lived realities through documentary filmmaking.
We believe that if people learn about the world’s challenges from the local perspective they will be better able to demand the right actions from their governments and to support effective humanitarian responses.
Michael Sheridan, Director of CSFilm, on the impact of local perspectives
Samples of CSFilm’s Work
Excerpt from Haitian filmmaker Bichara Villarson’s Owned and Occupied, part of the Owning Our Future: Haitian Perspectives in Film film collection.
Excerpt from Afghan filmmaker Aqeela’s The Road Above, part of The Fruit of Our Labor: Afghan Perspectives in Film film collection.
These films are made to stimulate dialogue. Here is an excerpt from a New Immigrant and Refugee Visions Screen&Discuss event.
Collaborate and Learn with CSFilm
Collaborate
CSFilm wants to help your community tell their stories. Let’s explore how our model of training, filmmaking and public engagement can redefine the public’s understanding of your issues.
Screen&Discuss
Screen&Discuss campaigns inspire new thinking and action among diverse audiences. See documentation from previous events and learn how you can organize your own.
Your Support Has Impact!
Donate and get involved today to support CSFilm’s training, filmmaking and public engagement work.